Table of contents
- 1. Courseware
-
2. Topics
- Code as Interface
- Browser based graphics
- Enough Javascript to make shiny things
-
Social computing
- Delightful and critical
-
Microinteractions
-
Prototyping like a pro
- Interactive-systems
- Designing digital interfaces for low energy impact
-
V/A/M/XR and the body as the realm of synthetic experience
- Enough aframe to make tiny worlds
- The Face Filter Project
- Phygital Interactions
-
3. Master Digital Design
- 4. Work in Progress
- 5. Zolder
-
6. Design, Art and Technology Arnhem
- Critical Engineering 1
- Critical Engineering 2
-
Assignment book
- Other consciousness
- Digital Invisibility
- Digital Time
- Learned Interactions
- Spooky action at a distance
- Museum of Happy Phones
- The Anti-Product
- Browser History Doppelgänger
- Dumb Scrap / Smart Scrap
- Chindōgu - the art of the “unuseless”
- Antenna Disguise
- Capacitive Sensing Swatches
- Wayfinding in the Data Jungle
- Situational Awareness
- One Thousand Years from Now
-
Learnable bits
- Olympiad of the Senses - Proprioception
- Free Haven
- Esoteric Codes
- Building a controller with the ESP32
- OSC
- Life Support
-
Alien Agency
- Microcontrollers
- 7. Surveys
- 8. Workshops
- 9. Browser-based graphics
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Lorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry's standard dummy text ever since the 1500s, when an unknown printer took a galley of type and scrambled it to make a type specimen book. It has survived not only five centuries, but also the leap into electronic typesetting, remaining essentially unchanged. It was popularised in the 1960s with the release of Letraset sheets containing Lorem Ipsum passages, and more recently with desktop publishing software like Aldus PageMaker including versions of Lorem Ipsum.
Lorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry's standard dummy text ever since the 1500s, when an unknown printer took a galley of type and scrambled it to make a type specimen book. It has survived not only five centuries, but also the leap into electronic typesetting, remaining essentially unchanged. It was popularised in the 1960s with the release of Letraset sheets containing Lorem Ipsum passages, and more recently with desktop publishing software like Aldus PageMaker including versions of Lorem Ipsum.
Chindōgu - the art of the “unuseless”
Make five Chindōgu.
- Research what a Chindōgu is and its most salient characteristics?
- Can an ‘app’ be a Chindōgu?
- Write a Chindōgu manifesto together.
Wikipedia definition of Chindōgu
Chindōgu is the Japanese art of inventing ingenious everyday gadgets that, on the face of it, seem like an ideal solution to a particular problem. However, chindōgu has a distinctive feature: anyone actually attempting to use one of these inventions would find that it causes so many new problems, or such significant social embarrassment, that effectively it has no utility whatsoever. Thus, chindōgu are sometimes described as "unuseless" – that is, they cannot be regarded as "useless" in an absolute sense, since they do actually solve a problem; however, in practical terms, they cannot positively be called "useful".
